NEED SOME NEW ATTITUDES! After watching True Grit, we wondered about some of our tribes attitudes: // link // print // previous // next //
THURSDAY, JANUARY 6, 2011
Misery is for rich kids: In this mornings New York Times, a report describes the way Gothams top private schools counsel struggling children to leave. We were struck by this account of one fourth-graders miseries:
Its very painful for young children to find themselves in such situations. (It would also be painful for adults.) That said, we dont think weve ever seen a journalist describe the misery of low-income kids who may be years below traditional grade level in some public school. Those children suffer and cry; they too become frustrated and demoralized, really miserable. Typically, they have nowhere to turn.
Were always amazed when people propose the standard solution of the past several decadeswhen they say we need to adopt higher standards, whatever that could possibly mean in this type of circumstance.
Question: Would you have Nolan Ryan pitch batting practice to a little league team? What would happen if you did? Would it help if you told the crying kids that they should just suck it up? If you told them you had decided to hold them to higher standards?
We read today about a suffering child. (Good news: Hes now doing better.) But millions of other kids suffer this way, and they have nowhere to turn. We dont read accounts of their suffering because they dont go to Collegiate.
Higher standards didnt work for William, grade 4. Why should this sweet-sounding bromide work for the nations poor kids?
PART 3NEED SOME NEW ATTITUDES (permalink): The American discourse is a wreckbut journalists dont like to say so. Consider yesterdays New York Times, in which Matt Bai discussed the extent of the GOPs post-election mandate.
In the following passage, Bai discussed the publics apparent view of current budget problems. Bai described a survey of public opinionand the euphemism was general:
Alas! We the people dont know squat from squadoodle about the federal budgetand this has been true for a very long time. (More precisely, we dont have the slightest idea how the governments money gets spent.) But Bai found a pleasant way to describe this long-standing problem. According to Bai, we the people havent yet gotten [our] heads around the excruciating choices involved in this area.
Such formulations protect the readers sense of self-worthand disguise the groaning ignorance routinely displayed by us the clueless people.
When we the people dont know squadoodle, were susceptible to every bogus sales pitch from every snake oil salesman. One example: Its easy to tell us that the Social Security trust fund is just an elaborate accounting trick (see THE DAILY HOWLER, 12/31/10)that the money isnt there, weve already spent it. If liberals and progressives hope to create a less ludicrous discourse, we have to find ways to approach the wider publicto clue voters in about our most basic issues.
As we noted yesterday, it all comes down to us:
Alas! The mainstream press corps tends toward inept; meanwhile, powerful pseudo-conservative factions spread persuasive disinformation. (By the year 2037, Social Security will be bankrupt!) Given this unfortunate setting, if we want to have a saner discourse, it all comes down to progressives and liberals. But do we sometimes let our attitudes get in the way of our possible outreach? Lets consider three different ways we may imaginably do so:
Apparent contempt for religion: On Monday, we went to see True Grit, the Coen siblings latest. Overall, wed give the film a good solid B, though it did pay off for us in the end. It especially scored as the credits rolled, when the brothers play a version of an old hymn as sung by Arkansas native Iris DeMent.
To hear the version played at the end of the film, click here. (Fuller version, with lyrics, below.) On YouTube, a range of commenters described their reactions to the Coens use of this hymn, reactions which corresponded to ours. This feller quoted an earlier comment, then seconded its emotion:
We have no religious or cosmological views ourselves, beyond long-standing fascination with popularizers inability to explain Einstein. But for us, the use of this hymn at the end also elevated the whole experience of the film. We stayed to listen as the audience stampeded out, then waited to see who the singer wasan experience described by several YouTube commenters.
Why did that hymn elevate a film which lacks explicit religious context? Youre asking a very good question! At any rate, we came home and fired up the Delland instantly hit this post by Digby, a post which ridicules a religion-based answer given by Candidate Bush in 1999. (Bush was responding to a semi-dumb question during a Republican debate.)
On balance, we very much like Digbys work. She has been our personal first read for years, though we think her instincts on race are often wrong and can be quite self-defeating. But after seeing that hymn-driven film, we were struck by Digbys post. Question: In a nation of religious belief, might we liberals defeat ourselvesdrive large chunks of the public awaywhen we sneer in such ways?
Self-flattering racial narrative: In Saturdays New York Times, Bob Herbert offered this column about Gladys and Jamie Scott, two sisters whose life sentences for their alleged role in a robbery in 1993 were recently suspended by Mississippi governor Haley Barbour. Did the Scotts commit the crime for which they were convicted? Were their life sentences unjust? Was the sentencing driven by race? For the fullest account of the case we have seen, wed cite this lengthy cover story from the Jackson Free Press, an alternative weekly. Of Herberts column, wed only say thisits almost clownishly selective in its factual presentations. In the process, Herbert constructs a pleasing morality tale concerning race, the kind of tale with which we liberals tend to self-entertain and self-flatter.
Barbour has been a favorite target of late, stemming from some reported remarks in this Weekly Standard profile. Well only say this: Here at THE HOWLER, weve been discouraged in the last year by the liberal worlds gross hypocrisy concerning matters of race. In the real world, we seem to do very little about real racial concerns. But we love to flatter ourselves in the tired old ways Herberts column permits.
Question: In the wider political context, is this instinct perhaps self-defeating? Do these instincts undermine the possibility that we might salvage the broken American discourse?
Brain food: At our worst, we play the ultimate tribal card; we talk about the other tribes brains, which of course dont function correctly. This recent piece in Salon was just tragically foolish. But Olbermann picked it up and ran (while name-dropping Colin Firth), until John Dean at last told him this:
Having entertained his audience throughout the show with this matter, Olbermann finally let Dean explain the view of someone who knows what hes talking about. In these ways, we liberals tend to heighten our sense of tribal superiority. But does this serve long-term interests?
Alas! We live in a broken political worlda world in which the top one percent are waging war on the lower 99. Will our political discourse ever make sense? Can the 99 ever unite in the face of this war? If so, its largely up to us liberals to create those new understandings. Question: When we self-entertain, and feed our own furies, do we possibly make it less likely that we can reach out to those who arent in our tribe? If we want to build a new political world, might we need some new attitudes?
Lets be candid: The cake has been baked. In truth, we liberals will never win this war, in part for the reasons we have described. But as this year proceeds, we will ignore this obvious fact, focusing on the ways we may be defeating our own best efforts. Tomorrow, its back to Social Security, as we ask a new question: Along with a new attitude, might we liberals also need improved information organs?
Tomorrow: We still cant explain it. Why not?
In this report, the New York Times wonders why True Grit is resonating with the public after being semi-dissed by smart-pants film critics. (No Golden Globe nominations, for instance.) Additional question: Why did the Coens build their score around that old hymn?
We think youre asking a very good question. Our answer: We dont rightly know.